He also wastes no time in thanking and complementing tonight’s support, Cardinal Black. I first played here in 1902”, he replies. During his first chat with the audience, somebody shouts “Welcome home Peter!” to him. With frequent stories between songs, he comes across as just an extremely decent guy. I’m guessing there may have been concerns he might not have been able to do it at all.įrampton is also quite the raconteur. I’m not surprised he’s happy Covid delayed the tour by two years. He plays with a broad smile etched on his face and is clearly extremely happy to be here – behind a guitar, in front of an audience. Right now, his fingers sound as good as they ever have, but his mobility is limited and he sits for the duration of the performance.ĭespite the long-term implications of the condition, Frampton is remarkably sanguine. Ultimately, and very sadly, it will likely rob him of his ability to play the guitar. In 2019, he announced his ‘finale’ tour, and with it that five years previously he had been diagnosed with inclusion body myositis, an extremely rare condition that causes muscle weakness and degeneration in certain areas of the body. When Frampton does emerge, it’s with assistance. To then watch live music whilst peering round everybody else’s raised mobile phones is annoying in the extreme. As an accredited photographer I’m only allowed the first three songs. There’s a ripple of applause among the velvet balconies. He requests that if you want to film or photograph the show, could you please only do it during the first three songs and then please switch your phone off and enjoy the show in the moment. A few minutes before he takes the stage at London’s Royal Albert Hall, Peter Frampton’s voice emerges from its PA.
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